Sunday, January 25, 2009

2009 - Bill Fontana: Spiraling Echoes




Title: Spiraling Echoes: A Sound Sculpture for the Rotunda of San Francisco City Hall
Dates: February 13 - May 8, 2009
Location: San Francisco Arts Commission Gallery (City Hall Rotunda), SF, CA

Artist: Bill Fontana

The San Francisco Arts Commission Gallery is pleased to announce an expansion of the Art at City Hall program, with a new exhibition project featuring internationally renowned artists commissioned to create site-specific installations that interact with the architecture of San Francisco’s historic City Hall. Spiraling Echoes, by San Francisco-based sound artist Bill Fontana reflects the San Francisco Arts Commission’s commitment to presenting visual arts projects that highlight our regional diversity and position Bay Area visual art production within an international contemporary art landscape. By commissioning new works such as Spiraling Echoes, the SFAC Gallery provides new and challenging opportunities for contemporary art to engage with a civic dialogue, while making art accessible to a broad audience.

Fontana’s sound installation, Spiraling Echoes, will employ an acoustic phenomenon common to bats, dolphins and whales known as echolocation, in which high-frequency sounds produce an acute directional beam of ultrasound. Eight transducers will be mounted in City Hall high above the floor around the circular colonnade within the Rotunda’s dome. These transducers will send out ultrasonic beams that function as carrier waves for this project’s original soundtrack. The soundtrack, which will include a range of sounds from music to spoken word to wildlife, will bring the sounds of San Francisco past and present into the building. When the transducers are moving, the sound beams will travel downward in space, playing off of and moving through the various surfaces of the Rotunda.

Spiraling Echoes will translate the visual experience of the architecture in the Rotunda (the focal point in the building with its marble staircase and ornate carvings) into sound. As people move through City Hall’s rotunda they will hear contemporary and historic sounds from various San Francisco events and locations. The sounds will not follow the individual, but rather a person will move through different sound points. The sounds will be experienced most notably on the fourth floor corridors overlooking the Rotunda, and spiraling echoes will float down into the space becoming gradually softer, and finally heard at the volume of a whisper on the first level. Encountering sounds from another place and/or time will provoke a sense that the City’s character, its history and vibrancy have been captured within the walls of our treasured City Hall.


About Bill Fontana
Bill Fontana is a world-renowned pioneer of sound art who has created monumental, site-specific, aural experiential installations around the globe. For the past 30 years, Fontana has used sound as a sculptural medium to interact with and transform our perceptions of visual and architectural spaces. Many of his sound sculptures—installed on the Arc de Triomphe in Paris, London’s Millennium Bridge and Big Ben, stations along the Lyon light rail system, and the Brooklyn Bridge—are a marriage of public space and contemporary art. Fontana has gained international prominence, exhibiting at such venerable institutions as the Tate Modern, the Venice Biennale and the Whitney Museum of American Art. It has been 20 years since Fontana, a San Francisco resident for three decades, completed his last major commission here.

2008 - A Complicated Dominion





Title: A Complicated Dominion: Nature & New Political Narratives
Dates: June 12 - August 16, 2008
Location: The San Francisco Arts Commission Gallery (main gallery), 401 Van Ness, SF, CA

Artists: Artists: Tiffany Bozic, James Drake, Leiv Fagereng, Walton Ford, Tara Tucker

Catalog: Essay by Meredith Tromble
Events: Lunchtime panel discussion with artist Tiffany Bozic and Jack Dumbacher, Curator of Birds & Mammals, CA Academy of Sciences


Our dominion is complicated and comes with profound responsibility. Humankind has become adept at leveraging natural resources and scientific advances to not only ensure our survival, but also to support and spread various political agendas. Along the road we have developed life-enhancing technologies and become more widely informed about the necessity of our participation in conservation and preservation efforts, while on the other hand we have seriously damaged the earth and performed atrocious acts of inhumanity. Looking forward, it is abundantly clear that we must manage long-term strategies for sustainable development and make sure that decisions about how we control the earth’s resources, wildlife, and each other are not our undoing.

The works in A Complicated Dominion depict an unnatural collision of culture and nature, demonstrating through the device of allegory our attempts to come to terms with contemporary responsibilities and attitudes toward the ever-evolving circumstances of our interdependent existence. A formal dinner is set for a pack of feral pigs. Cuttlefish are corralled into a perfect circle. A squirrel personifies Johnny Rotten from the Sex Pistols. Through graceful and often humorous means, each of the five exhibiting artists share their varied political viewpoints, while also provoking broader lines of questioning about our environmental, and geo- and sociopolitical values.


Formal concerns are at the fore, as all of the artists in A Complicated Dominion employ beauty as a strategy to entice the viewer’s gaze. “Don't tell me the moon is shining; show me the glint of light on broken glass,” Anton Chekhov famously pondered. The exhibited works, which include paintings, drawings, prints, sculpture and video, are vivid and exquisitely executed, with nods to John James Audubon, 17th century Dutch still life painting and scientific illustration. However, the artists force their varied creature-subjects and postmodern narratives into the darker artistic territories of surrealism and satire.

2008 - Kunsole: Grove St. Projects




Title: Kunsole: Grove St. Projects
Dates: March 20 - May 10, 2009
Location: San Francisco Arts Commission Gallery (window installation site), 155 Grove St., SF, CA

Artists: Deric Carner, Rebecca Miller and Roddy Schrock are Kunsole

In addition to their individual art and music practices, San Francisco artists Deric Carner, Rebecca Miller and Roddy Schrock formed Kunsole, a "multidisciplinary collaborative vehicle." Kunsole "reconciles" sound, idea, form, and pattern through an experimental synthesis processes. The result is avant-pop music, images, objects and performances.

Kunsole has most recently participated in Deitch Projects Art Parade in New York City and is currently developing a collection of visual patterns and sonic drones for presentation and collaborative performance.

Kunsole is currently occupying the SFAC Gallery window installation site at 155 Grove Street. During their residency, passersby will experience live-art events every Thursday evening in which Kunsole will collaborate with a line-up of SF-based artists, musicians and performers. On Mondays Kunsole invites all lonely houseplants to join in a reading circle for experimental texts. When performances are not happening, the public can participate with Dot Dot Knock, an embedded sound and visual installation which will unfold over the course of the residency.


Live Sessions
Schedule

Thursdays @ 8:00pm
April 3 – Katrina Lamb & Roddy Schrock
April 10 – Kunsole
April 17 – Melissa Wyman
April 24 – KUNSU SOLIDARITY DAY

Mondays at noon
April 7 – Kunsole
April 14 – Melissa Wyman
April 21 – Andrew Wass
April 28 – Jeff Ray

Saturday, May 3
10PM -
Closing Party @ The Gangway (841 Larkin St)

2008 - After the Revolution








Title: After the Revolution: Contemporary Photography from Tehran and California
Dates: April 16 - June 27, 2008
Location: San Francisco Arts Commission (City Hall), SF, CA

Co-curated with Ghazeleh Hedeyat (Iran-based artist)
Artists: Iran - Mehraneh Atashi, Mahboube Karamli, Morteza Khaki, Meysam Mahfouz, Parham Taghioff. CA - Elhum Amjadi, Amir H. Fallah, Naciem Nikkhah, Parisa Taghizadeh, Shadi Yousefian.

Catalog: Essay by Terry Cohen.
Events: Evening panel discussion, The Location of Identity, with artists and scholars, and lunchtime panel discussion with Shadi Yousefian and Terry Cohen.



Press Release:

The San Francisco Arts Commission Gallery is pleased to present After the Revolution, a groundbreaking group exhibition of contemporary photography by Iranian artists from Tehran and California as part of our ongoing Art at City Hall program.

After the Revolution is the first substantial exhibition mounted in the US featuring photography by young emerging artists from Tehran. In addition, the work from Tehran will be exhibited alongside photographs by emerging artists of Iranian descent living in California, thus creating a rich dialogue around the hopes and concerns of Iranians and the Iranian Diaspora. After the Revolution will feature approximately 100 photographs by the participating artists. The artists, all under the age of 40, were born around or after the 1978 Iranian Revolution.

After the Revolution will be located at San Francisco City Hall, the seat of local government and a premiere venue for the exhibition of artworks engaged in a civic dialogue. America’s current political relationship with Iran is strained at best, and it is important during these tense times to reflect on the human experience. Contemporary art is a powerful tool to break down barriers and bring to light common experiences while celebrating disparate perspectives. It is evident in the photographs featured in After the Revolution that these young artists are grappling with a society caught between traditional values and contemporary innovation. The work highlights both the distinction between public and private spaces, as well as the specific nature of public and private expression within Iranian culture.

This exhibition is supported by the San Francisco Arts Commission, Azita Raji & Gary Syman, Electric Works, PhotoAlliance, Grants for the Arts, and Page Imageworks.

2008 - Reconciling America: Miraculous Encounters with the Mundane



Title: Reconciling America: Miraculous Encounters with the Mundane
Dates: January 18 - March 15, 2008
Location: The San Francisco Arts Commission Gallery (main gallery), 401 Van Ness Ave., SF, CA
Co-curated with Dana Hemenway, Joyce Grimm and Zefrey Throwell
Artists: JD Beltran & Sebastien Bachar, Dina Danish, Jennifer Durban, Richard Haley, Lyn Marie Kirby, Ellen Lake, Brendan Lott, Paul Mullins, Tucker Nichols, Julia Page and Zefrey Throwell.


The American archetype is rooted somewhere in anthems, slogans and amendments – yet under this big blanket where do the lives of average Americans fit in? Americans are born into the world and rush to grow up - all the while attempting to make sense of their lives through direct encounters and an ever-expanding glut of mediated experiences of the world. In our quest to understand and to be understood, new technologies have made it easier to record observations and create personal histories. This is evident in the countless home movies, scrapbooks, blogs and personal web pages created by average Americans. Alternatively, the history of art practice is deeply rooted in creating individual systems for understanding and documenting. Reconciling America reflects the varied strategies each selected artist employs when confronting their surroundings. Exhibited works range from painting to video to installation and actively demonstrate how the artists grapple with, or attempt to reconcile their relationships with America.

Established local filmmaker Lynn Marie Kirby’s documentary 34/400 (Standardized) Screen Tests features video portraits of adolescent boys and Jennifer Durban’s audio work, I Met my Dad on Friendster each frame and archive two fleeting yet pivotal transitions in life. While the passages reflected in these works are about intimate relationships to others, Richard Haley’s work is preoccupied with his relationship to nature, which is demonstrated in a panic-inducing video featuring the artist attempting to sink his handmade boat in time with the setting sun.
Dina Danish, a current CCA graduate student from Cairo, presents All My Life I Had to Fit Cheese on Toast; a video work that demonstrates a desire to understand what being an American means and how it is filtered and then translated through her personal experiences. Paul Mullins and Julia Page, both now residents of metropolitan areas, occupy their work with images of rural, or small town life. Mullins paints details that remain prominent in his memories of his youth in West Virginia, and Page pulls images from rural town newspapers that depict a new tradition of celebrating a child’s first hunting kill. Context and personal histories help us understand that what is indeed mundane in one location may read as sensational or quaint in another.

In order to understand contemporary identities and public perceptions the following artists look at the methods in which they are constructed. In her documentary video series featuring Bay Area residents, Ellen Lake focuses on the personalities and idiosyncratic behaviors of people who define themselves in relation to their obsessive collections – ranging from female action figures to rubber band balls to french fries. Local conceptual artist Brendan Lott examines the global implications of an identity created on the Internet. His project links Lime Wire images of American teenagers with master painters in China. JD Beltran documents her son Sebastien Bachar and how he interacts with the architecture of his world. Sebastian too uses the descriptive language of photography to document his four year old perspective.


SPECIAL PROGRAM

About Frank Prattle Zefrey
Zefrey Throwell creates a radio forum for artists and arts professionals to discuss current trends and issues in art practice in front of a live audience. For this special edition of Frank Prattle Throwell will also feature civic luminaries as well as two special out-of-town guests - Adam Kleinman from the Lower Manhattan Cultural Council, and Sam Gould of the Portland, Oregon collective Red76. How to Listen In All interviews will take place at the SFAC Gallery located at 401 Van Ness, across from City Hall and are open and free to the public. Currently the most updated recordings can be found on the Frank Prattle website or they are available below. In addition, recorded interviews will be broadcast on San Francisco’s KPOO, 89.5 FM, and on New York-based WPS1.org Art Radio, a program of P.S.1 Contemporary Art Center.

Frank Prattle at the SFAC Gallery

Saturday, January 24, 2009

2007-2008 - Tall in the Saddle: Cowgirls, Ranch Women & Rodeo Gals









Title: Tall in the Saddle: Cowgirls, Ranch Women & Rodeo Gals
Dates: December 20, 2007 - March 17, 2008
Location: San Francsico Arts Commission Gallery (City Hall), SF, CA

Artist: Ann P. Meredith
All images: Ann P. Meredith, copyright, USA
Note: With the artist, I edited over 500 photographs to the final 75 exhibition prints, and researched and wrote extensive wall text about the artist and the history of women in the rodeo.

Tall in the Saddle: Cowgirls, Ranch Women & Rodeo Gals was a solo exhibition by internationally acclaimed artist Ann P. Meredith as part of the SFAC Gallery's ongoing Art at City Hall program.

Tall in the Saddle marks the culmination of over seventeen years of artist Ann P. Meredith’s dedication to documenting the achievements of remarkable women determined to preserve their heritage and break new ground in the arenas of ranching and rodeo. Visitors encountered 75 black and white fine art documentary-style photographs depicting cowgirls in a variety of scenarios including competing in rodeo events, working the land and relaxing at home on the ranch. Presented in tandem with the photographs will be Meredith’s documentary film of the same title that riotously reflects the cowgirls of the International Gay Rodeo Association (IGRA) filmed at the Annual Sierra Stampede at the Rio Linda Show Grounds in Sacramento, California in 1999.

"Long before Annie Proulx's short story became Brokeback Mountain, Ann Meredith was chasing down the truth behind the fiction at our very first Sierra Stampede in Sacramento in 1999," says Matt Bowers, former Director of the IGRA Capital Crossroads’ Sierra Stampede.

While women are only allowed to compete in the barrel racing category in Professional Rodeo Cowboy’s Association-sanctioned rodeos, it is an important distinction that the IGRA and the Women’s Professional Rodeo Association allow women to compete in all their featured events (which include bronc and bull riding, chute dogging, steer wrestling and more). Meredith not only captures the thrill of rodeo events and the flamboyant character of these pioneering women, she also documents a subversive slant on what dominant/popular culture would perceive as the cowboy’s domain – the West.

The women depicted in the exhibition hail from Alameda, Arroyo Grande, Bakersfield, Brentwood, Clayton, Glendale, Hayward, Inverness/Tomales Bay, Lakewood, Moss Landing, Norco, Orange, Pedley, Pacifica, Rio Linda, San Francisco, San Jose, Santa Monica, Standish, Susanville and Woodacre in California, as well as Phoenix, Arizona, Hot Springs, Arkansas, Blackfoot, Idaho, Whitefish, Montana, Battle Mountain, Reno, Fallon and Winnemucca, Nevada, Weehawken, New Jersey, Cimarron, Raton, Roe, Folsom, Sapello and Willard New Mexico, New York City, Hereford, Texas, Riverton, Delta and West Jordan, Utah and Falls Church, Virginia.

For Tall in the Saddle Meredith worked with The Cowgirl Hall of Fame and Western Heritage Center in Hereford, Texas; the International Gay & Lesbian Rodeo Association in Sacramento and The Women’s Professional Rodeo Association in Kingman, Arizona. Tall in the Saddle is supported by the San Francisco Arts Commission, Swordfish Productions, Grants for the Arts & the Zellerbach Family Foundation.

2007 - Mission Greenbelt Headquarters





Title: Mission Greenbelt Headquarters
Dates: November 10 - December 22, 2007
Location: San Francisco Arts Commission Gallery (main gallery), SF, CA
Artist: Amber Hasselbring
Note: The entire SFAC Gallery staff facilitated this special project.

Mission Greenbelt Headquarters initiates a new SFAC Gallery exhibition series, Winter Workshop, which is designed to support artists engaged in the creation of long-term projects through providing space, administrative support and funding at an intermediary stage of the generative process. After a call for submissions, the staff of the SFAC Gallery chose Amber Hasselbring’s community-based urban earth artwork project, The Mission Greenbelt.

About the Project: The Mission Greenbelt project will inspire and enable San Franciscans to begin growing an urban earth artwork. The Greenbelt will consist of neighboring native plant sidewalk gardens in front of homes, apartment buildings, storefronts and schools between Franklin Square Park and Dolores Park. In addition to improving the environment and creating a habitat for birds, insects, reptiles and small mammals, the project will unite and strengthen a community. From November 10 to December 22, 2007 the San Francisco Arts Commission Gallery transforms into Headquarters for the Mission Greenbelt Public Awareness Campaign. Headquarters is the central meeting place for Mission Greenbelt researching and campaigning. Headquarters also hosts a multi-media art installation, free public events and hands-on workshops. Visitors of all ages are invited to visit Headquarters and join in the effort to create a new San Francisco Greenbelt. There is a Native Plant Demonstration Garden in front of the San Francisco Arts Commission Gallery which is made possible through a partnership with Nature in City’s Education & Stewardship Committee.

PUBLIC EVENTS

Campaign Kick-off with Special Guest Speakers: Mark Sanchez, Kevin Danaher, Rachel Carson, Josiah Clark, Isaac Amala, Katina Papson Thursday, November 15, 5 – 8 pm Hands-on Sidewalk Landscaping & Permitting Workshop: Saturday, November 17, 12 – 3 pm

Bus Tour & Youth Planting Day
Saturday, December 1, 12:00-3:00pm
Meet at Headquarters, and climb on board the veggie fuel powered bus with Jens-Peter Jungclaussen, the teacher with the bus and Amber Hasselbring, the artist behind the Mission Greenbelt project. San Francisco youth and their parents are treated to a free, guided tour of the Mission Greenbelt. If you’re under 18, be sure to bring an adult. *Plan to stop along the route for a taco lunch and help to design & plan the first native plant garden along the Mission Greenbelt!

Meet the Artist Brown Bag Lunch
Thursday, December 6, 12 - 1 pm
Bring your lunch to Headquarters and learn more about the Mission Greenbelt project from artist Amber Hasselbring.

Native Plants for Sale
Friday, December 7, 12-3 pm
Rachel Kesel will sell native plants for a $7 donation. The plants are courtesy of Greg Gaar at the Haight-Ashbury Neighborhood Recycling Center & Native Plant Nursery.

Mission Greenbelt Walking Tour with Sidewalk Chalk
Saturday, December 8, 1:00 pm
Meet at 19th and Dolores and walk the route of the proposed Mission Greenbelt. Along the way, we'll draw the garden plots onto the sidewalks with chalk and take photographs of our creations.
*This project is supported through collaborations with Steven Leiber, Presley Martin, The Nature in the City Education/Stewardship Committee, Satoru Nihei and World Savvy.

Mission Greenbelt Bike Tour with Rachel Kesel
Saturday, December 15, 2:30 pm
Meet at 19th and Dolores for a bike tour led by Rachel Kesel and Amber Hasselbring. Rachel will show us some spots to plant native plants along the way and Amber will discuss why she's selected this route for the Greenbelt.

Mission Greenbelt Sound-scape Tour
Saturday, December 22, 1:00 pm
Meet at 19th and Dolores and walk the route of the proposed Mission Greenbelt. At the exhibition are field recordings made during three walks, sunrise, mid-day and sunset. We will walk the route together in silence and observe/record what we hear and imagine what new sounds we'll hear once the Greenbelt is built.

More Information on the Mission Greenbelt
Sidewalk Landscaping Permit Information
Special Thanks to
Plant*SF *some images on this blog were taken of Jane Martin's Plant*SF sidewalk gardens and landscape projects found throughout the city.








2007 - Present, Lonnie Graham: A Conversation With the World




Title: Lonnie Graham: A Conversation with the World
Dates: October 18, 2007 - Present
Location: San Francsico Arts Commission Gallery (City Hall, North Light Court), SF, CA

An Artist Project in Three Parts:




        • San Francisco City Hall, North Light Court exhibition of large-scale photographic banners


    40 downtown kiosk posters (12' x 3.5')





      • Recorded interviews posted on SFAC Gallery web site

Since 1980, Lonnie Graham has traveled throughout Asia, Africa, and North America interviewing people and recording their opinions and beliefs regarding their culture, heritage, and traditions. In 1994, he was awarded with the National Endowment for the Arts Fellowship and the PEW Travel Grant, enabling him to expand his travels, broadening the scope of his project. A Conversation with the World is a combination of visual art and socio-anthropology. Through his work, Lonnie Graham illustrates the basic needs of the human condition by asking eight questions. The responses he gathers explore the essential and fundamental motivations of human beings while clearly illustrating the bond that is inherent in our humanity. In 2007 the Philadelphia-based Graham came to San Francisco and spent a week interviewing and photographing residents for this project.

2007 - Renee Gertler: Flood




Title: Renee Gertler: Flood
Dates: May 11 - June 15, 2007
Location: The San Francisco Arts Commission Gallery (Grove St.), 155 Grove Street, SF, CA

Renee Gertler presented a site-specific installation at the SFAC Gallery Window Installation Site at 155 Grove St. Gertler is a 2007 MFA graduate from California College of the Arts and over the course of five weeks her sculptural exhibition, Flood, continuously transformed and was on view during its metamorphosis. For the previous two years Gertler used model-making materials and techniques to create fantastical versions of natural phenomena such as waterfalls, tornadoes and meteors. For her installation at the SFAC Gallery Window Installation Site she created a simulacrum of a leak that, over the course of the show, resulted in a flood.

2007 - Breakthrough: An Amateur Photography Revolution

Title: Breakthrough: An Amateur Photography Revolution
Dates: April 20 - June 16, 2007
Location: The San Francisco Arts Commission Gallery (main gallery), San Francisco, CA


The San Francisco Arts Commission Gallery presented a multi-faceted exhibition and panel discussion examining the new digital environment that has revolutionized the way photographers shoot, store and share images. Our examination centered on the empowered digital communities fostered by two Bay Area enterprises that are helping to define and push the boundaries of how images live within a virtual ecosystem.


Exhibition

In the South Gallery: JPG Magazine: Community and Opportunity
In partnership with the SFAC Gallery, the JPG Magazine community tackled the theme Breakthrough in a multimedia exhibition that celebrates global participation and exposes the editorial process. Over 4000 amateur photographers worldwide entered their photographs into the juried competition. 25 were chosen to be printed large and exhibited in the Gallery. The remaining images were represented in a wallpaper format. So everyone who entered was in the exhibition! For most this was their first gallery exhibition. An accompanying feature appeared in JPG's May issue.


In the North Gallery: Takes on Flickr
Six leading Bay Area curators explored the expansive Flickr community and emerged with image-sets (10 images for each curator) that reflect unexpected thematic threads and a diverse array of photographic styles.
Curators: Rebeca Bollinger, Heather Champ, Joseph del Pesco, Chuck Mobley, Renny Pritikin, and Terri Whitlock.

Also featuring Flickr-interactive artist’s projects:
Flickr, a music video by Jonathan Coultan
Flickr Umbrella by Takashi Matsumoto & Sho Hashimoto.


Panel Discussion
Thursday, May 31, 6:00 – 7:30pm, Free
Koret Auditorium, San Francisco Public Library, Lower Level, 100 Larkin Street (at Grove)

Are we all photographers now? What does it mean to be a "photographer" when there's a camera in every phone and photos can travel the globe with the click of a button? Join this panel of artists and experts for a lively conversation about the art and practice of photography in the brave new digital age.
Moderator: Thom Sempere, Executive Director, PhotoAlliance
Panelists: J.D. Beltran, Artist; Caterina Fake, Co- Founder, Flickr; Deanne Fitzmaurice, Photojournalist /Pulitzer Prize recipient, San Francisco Chronicle; Derek Powazek, JPG Cofounder and Social Media Consultant

Tuesday, January 20, 2009

2007 - Lens on Life (City Hall component)

Title: Lens on Life (City Hall component)
Dates: April 12 - June 22, 2007
Location: San Francisco Arts Commission Gallery (City Hall), 1 Dr. Carlton B. Goodlett Pl., SF, CA


Artists: Ananais Leki Dago, Bayete Ross Smith, and Lewis Watts.

This exhibition involved a programmatic partnership with PhotoAlliance, the Museum of the African Diaspora (MoAD), and the SF International Arts Festival. Lens on Life, a look at photography from Africa, was presented at MoAD, and I curated an exhibition at City Hall featuring three artists involved in the exploration of place and identity from both African and African American perspectives.


Ananias Léki Dago: Bamako en Croix Léki

Dago, a photographer from the Ivory Coast, is making his San Francisco debut in Lens on Life. His series Bamako en Croix is presented as part of the Museum of the African Diaspora’s exhibition Lens on Life: From Bamako to San Francisco (May 18 – September 23, 2007). This photographic series highlights a common object in Bamako, Mali; the "pousse-pousse", a kind of wheelbarrow used to carry a variety of goods. For Léki Dago the cross-shaped handles stand out as a visual curiosity. The cross does not belong to the Malian culture, so this series questions the assimilation of exogenous symbols into everyday life.


Bayeté Ross Smith: Our Kind of People
San Francisco-based photographer Bayeté Ross Smith exhibits work from two recent portrait series: Our Kind of People and Passing. His images deal with stereotypes and preconceived notions. He is particularly interested in how biases, as well as the role generalizations and the sorting of people into categories, play in our everyday lives. Bayeté says, “I question when stereotypes are true, if ever, and if they have any validity. I am also interested in issues of identity, and who controls the imagery that is used to define us.”



Lewis Watts: Evidence
Lewis Watts, an artist, curator and Assistant Professor of Photography at UC Santa Cruz, presents Evidence. This series of black and white photographs center on African American cultural landscapes; where people live, how they occupy and use space, and the traces they leave behind. He is interested in the cultural roots of architecture and both the intentional and unintentional manipulation of space.

2007 - Daniel Tierney: Predator and the Eternal Return


Title: Daniel Tierney: Predator and the Eternal Return
Dates: January 25 - March 24, 2007
Location: San Francisco Arts Commission Gallery (window installation site), 155 Grove St., SF, CA (Presented as part of the Lucky Day exhibition taking place in both the main gallery and 155 Grove.)
Predator and the Eternal Return is a site-specific work by Daniel Tierney that uses screen shots from the Predator film as a starting point to explore the schizophrenic nature of attempting to represent the expansive notion of one landscape's possibility for infinite variability in space. The landscape in this case is fear made solid through the sculptural formations of paintings on paper. The paintings are made from moments in the film that Tierney describes as "Predator vision", a dimensionally flattened vision of space resembling infrared. His sculptural interest is in a concept of horizontal organization that extends infinitely in all directions, a place outside of time where nothing is hidden, ...a landscape of many landscapes. His fascination with the Predator character centers on its ability and drive to create its own enemy, allow it to grow and then return to fight it. In essence, the Predator is an existential self-actualized suicide killer.

Tierney's theoretical musings about the flexibility of space manifests in works of art that contain layer upon layer of transformed imagery. His process includes, but is not limited to:
-Capturing digital landscapes depicting 3d space in a 2d environment.
-Building sculpture out of large-scale paintings on paper of these landscapes. -Creating new landscapes with the sculpture.
-Photographing the sculptural landscapes and returning them to a 2d format.

Tierney ultimately builds environments out of all of the remnants of this complicated process, which results in a synthesis of lush materials (photographs, prints, paper, tape, paint, wood…) representing deconstructed and reconstructed space.

2007 - Lucky Day


Title: Lucky Day
Dates: January 25 - March 24, 2007
Location: San Francisco Arts Commission Gallery (main gallery), 401 Van Ness Ave., SF, CA

Artists: Michael Anderson, Gretchen Bennett, Spencer Finch, Euan Macdonald, Chris McCaw, and Claude Zervas

The San Francisco Arts Commission Gallery is pleased to present Lucky Day, an exhibition in our main Gallery and our window installation site. This landscape exhibition considers that the artistic representation of physical locations is inevitably bound with what is experienced there. In the song, Lucky Day, Tom Waits sings about returning home some day; however it is clear that his hometown exists as a nostalgic memory and will never again be what he remembers and holds dear. Each artist in this exhibition had a lucky day; an experience that provoked them to seek, capture and record bits and pieces of a specific place. The exhibited works represent locations in terms of the transient nature of each artist’s personal connection to the landscape.



Light and the passage of time. For the past few years Chris McCaw has set up his homemade camera in a variety of outdoor locations, always positioning the lens directly into the sun. The resulting images range from ghostly shadows of trees, ocean waves and horizon lines, to compositions made up entirely of subtle shifts from grey to black. Each photograph ends when the sunlight intensifies through the lens to the point that it burns a hole in the photo paper. McCaw’s work speaks to the nature of photography and its ability to capture light, but it's also a wonderfully poetic look at how the artist attempted to capture the “feel” of a location. Spencer Finch’s entire artistic practices centers on his fascination with how light shapes our understanding of spaces/places. For the exhibited work, Finch sat in a meadow for 6 hours recording the subtle effects of light on the color of various elements around him – a tree, a rock, a dragonfly… The resulting representation, Maine Landscape with Passing Dragonfly (August 8, 2006), is a series of five color-swatch drawings noting the time of day the colors were recorded.




Memory and transition. Gretchen Bennett is a native of the Pacific Northwest, and recently relocated back there after living in Brooklyn, NY. While in Brooklyn Bennett began amassing an enormous collection of stickers (artist-made and business-related) that she then uses to construct mural-sized installations of specific endangered urban landscapes/landmarks. She depicts the Brooklyn sites as she remembers them, knowing that most of them have transformed as a result of urban development. Transition is also key in the exhibited works of Claude Zervas. Zervas photographed landscapes depicting the transition points between old growth and new growth forests. Each image is then processed through a computer program that slowly degrades the original composition while building an abstracted version, only to slowly right the image before beginning the loop again. The ongoing instability of the image is reflective of the instability of the landscape.



Seeking and finding. Lucky Day features the first and second installments of an ongoing project by Michael Anderson. The artist is on a quest to find in nature the exact individual colors represented in television color bars. Anderson found blue in the desert sky and white in the snowy mountains. When he locates a color he then sends a live-feed of the landscape through a video camera and paints the scene from the monitor. Placing the sun front and center seemed the logical choice when Euan Macdonald set out to record the setting sun from a moving helicopter. After chasing the sun Macdonald found that what he was searching for was not the sunset, but the results of the setting sun on the landscape. As the helicopter headed home, moving quickly away from the sun fading on the horizon Macdonald recorded 9 minutes of the onset of dusk and eventually darkness brought on by the earth’s shadow.

2006 - 07 - China Today: Mark Leong and the Chinese Artist Network

Title: China Today: Mark Leong and the Chinese Artist Network
Dates: December 21, 2006 - March 23, 2007
Location: San Francisco Arts Commission Gallery (City Hall) 1 Dr. Carlton B. Goodlett Pl., SF, CA

In 2007 the San Francisco Art Commission Gallery has joined forces with the San Francisco-based nonprofit PhotoAlliance to program Art at City Hall. Our first collaborative curatorial effort is China Today, which features two photographic exhibitions, a solo exhibition by Bay Area artist Mark Leong, and a group exhibition featuring Chinese artists represented by the Fremont-based Chinese Artist Network.



The Heaviness of Consumption
Photographs by Mark Leong
Arriving in mainland China by chance just a day after the 1989 Tiananmen Square crackdown, Mark Leong stayed to explore the contradictions of a rapidly changing but still intensely traditional Chinese society. Living in Beijing and traveling across China over the past sixteen years, he has captured images that astonish both in their power and in their access to subtle currents of everyday life - official and underground. His recent body of color work, The Heaviness of Consumption, documents the effects of China’s growing market culture on both rural and urban Chinese. Since the early 1990s, China has emerged from socialist isolation to open shop as the world’s factory -- the source, it seems, of nearly everything manufactured on earth. Now, after a generation of profit and prosperity, the Chinese super-producers are also becoming mega-consumers. No longer limited to needs dictated (and provided for) by the Communist Party, this is a new era of personal choices and desires, broadened by the forces of technology, urbanization, globalization and the one-child policy. Everything -- from education to sex -- is a commodity. And as the wealth distributes itself unevenly across this vast population, the greatest fear is to be left behind.

New Photography
Presented by the Chinese Artist Network
Artists: Chih Chang, Liang Ma (Maleonn), Jin Meng, Hongbin Sun, Danxiong Wang, Fei Yang & Jungang Zhang.
New Photography, presented by Chinese Artist Network, features a wide variety of photographic works by young Chinese artists. CAN, a Fremont-based nonprofit organization, is committed to promoting the work of emerging Chinese artists through providing both exhibition opportunities and a strong Internet presence on their web site. The works in this exhibition represent a recent movement by young Chinese artists away from traditional photographic constraints toward more conceptual and experimental styles of photography. Although China has a voracious consumer culture, there are still very few galleries that exhibit cutting edge photography, so most of the represented artists are establishing their careers through exhibitions in Europe and the US.